Page 154

This page reads like a bare heading, joining Frank and the Christians inside a single act of vision.

Its spareness makes it feel like a conceptual marker more than a finished poem. The page stages a collision between a named figure and a religious collective, as if both belong to the same field of revelation or scrutiny.

A bare three-line handwritten heading - 'the Vision / of Frank / the Christians' - that functions as a title or conceptual marker rather than a finished poem. The stacked phrasing yokes a single named figure, 'Frank', to a religious collective, 'the Christians', inside one act of 'Vision', staging the book's recurring Sinatra-and-Christ pairing at its most compressed. The reading stays light because the page is a short handwritten fragment with little surrounding text.