Page 154

This page reads like a bare heading, joining Frank and the Christians inside a single act of vision.

Its spareness makes it feel like a conceptual marker more than a finished poem. The page stages a collision between a named figure and a religious collective, as if both belong to the same field of revelation or scrutiny.

Three stacked phrases: the Vision / of Frank / the Christians. A chiseled title sitting alone on the page — Frank Sinatra and the Christians as parallel apparitions.