Page 306

By Jack Joseph Smith

Chandelier In the Autumn of nineteen sixty three I would be walking through Old Town Chicago In the late evening, when the drapes were not drawn Pulled rather way back, right to the molding of their threshold great big natural glass, stretched at their fronts it was easy to see, that short stoops were a way into riches Thuging under a new Moon To theatrical to notice Touched to of their their is sills I would enter to my thought They are stars there Billowed of THEIR sills Faulkner's The shadow of the sash, came to mind silence is not dead

Original Scan

AI Interpretation

GPT

This 'Chandelier' draft builds a Chicago evening walk out of drapes, thresholds, natural glass, stoops, riches, and a new moon, then surrounds the typed poem with handwritten revision notes.

The page is visibly compositional: the typed draft moves through architecture and class, while the handwritten notes try alternate phrases such as stars, sills, Faulkner, and silence. It shows the poem thinking through what domestic surfaces reveal.

Claude

Another 'Chandelier' draft, reviewed from a rotated scan, that condenses the walk: 'I would be walking through / Old Town Chicago / In the late evening, / when the drapes were not drawn.' It restates 'short stoops / were a way into riches' and 'Thuging under a new Moon,' then breaks into compositional fragments -- 'I would enter / to my thought / They are stars / there.' Faulkner's 'shadow of / the sash' returns, here closing 'silence is not / dead.' This is visibly a revision page; handwritten additions and alternate phrasings remain partly unresolved.