Page 362

By Jack Joseph Smith

The Knock Busted; evil is a mistake, isn't it When it skips, it can not be corrected Then it has it's was, let's clarify the past Even when you are seperate, from it's distruction of logic silver over gold Do six cops know the difference between Mozart and Paeabl And then there would be Mathiew, always with holes in the love of Christ, and I am not the Dad of the pictures on the wall; I am their soul; and am I not a wounded man in movement And perhaps I have never thought twice about doing one thing Welcome officer's; what can be better, christinas decorations

Original Scan

AI Interpretation

GPT

The Knock links evil, skipped correction, the past, silver over gold, police, Mozart, Paeabl, Mathiew, Christ, fatherhood, wounded motion, and `christinas decorations`.

The handwritten additions make the page more layered: `let's clarify the past` and `silver over / gold` push against the typed poem's damaged logic. The ending turns from officers toward decorations, making authority and ritual feel tangled.

Claude

'The Knock' is a paranoid, layered monologue that ends with police at the door. It opens 'Busted; evil is a mistake, isn't it / When it skips, it can not / be corrected,' and threads the handwritten additions 'let's clarify the past' and 'silver over / gold' through its damaged logic. A bitter joke about authority's ignorance - 'Do six cops know the difference / between Mozart and Paeabl' - gives way to identity: 'I am not the Dad / of the pictures on the wall; / I am their soul,' a 'wounded man in movement.' The welcome curdles into ritual: 'Welcome officer's; what can be better, / christinas decorations.'