Page 21

By Jack Joseph Smith

took long moments, endured to the actor maybe, on getting out of the personal body. He deepened with grief, I wanted to leave it changed and his course in sudden moment after sudden moment, and climbed exactly into the grip of his stomach that was carrying him a little farther toward dis- function. Joe walked in front of him, it was on the street. Sick people were yelling at their trained Bolonian children. The sun was sharp; it came through the dirt clouds and blinded away eyes without shades; thick green shades. He had lost his. Maybe the police took them the last time he was with them. No water, cement, cement, no water.

Original Scan

AI Interpretation

GPT

The page moves through grief, bodily dysfunction, blinding city light, police memory, and the chant-like contrast between water and cement.

Its imagery makes the city feel drying and abrasive. Even where the syntax breaks, the emotional direction is clear: the speaker is being worn down by environment, memory, and the body's repeated shocks.

Claude

Continuation of the descent: leaving the body takes 'long moments, endured to / the actor maybe,' as he 'deepened with grief' and 'climbed / exactly into the grip of his / stomach' carrying him 'toward dis- / function.' The street is abrasive - 'Joe walked in front of him,' 'Sick people were / yelling at their trained Bolonian children,' the sun 'blinded away / eyes without shades' he had lost, maybe to the police 'the last time / he was with them.' It clinches in a dry chant: 'No water, cement, cement, no / water.' This reading is provisional because the page transcript sits in the 'mixed' OCR quality band.