Page 18
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
The scan-verified San Francisco page ties Stavrogin, O'Neill, Annie, Judith, Sheen, Pittsburgh, and the Hill District into a social field of romance, poverty, loyalty, cheapness, and self-mythology.
The corrected text sharpens the page's gossip-like movement through relationships and neighborhoods. Handwritten edits make the judgments more pointed: Stavrogin cares less for structure than flare, while poverty and romance become a shared fantasy that the prose keeps exposing.
Titled 'San Francisco', this page deepens the entangled relationships. Stavrogin half-admires O'Neill - not 'his structure' but 'his flare, his guitar playing', the 'old / folke songs' that made 'his wife Annie even more sick / of Pittsburgh and its poverty program'. The other couple is O'Neill's 'lady', 'Judith and her son Sheen', 'The bastard / of a sea Captain' who left Judith 'with the infant of surprise to sleep / in the Grand Central Station' - a 'long nosed black haired beauty' Stavrogin loved 'with the feelings in his belly yet a blank / cloth like glaze across his eyes'. Both men are cast as cheap - O'Neill 'about ... apartments and / ground meat', Stavrogin 'definately about the apartments'. It closes on a pointed class-and-race irony about the Pittsburgh years: on 'the Hill / District ... in nineteen sixty five the poverty was God / Damn romantic even if you were Black and didn't believe it / at meal time.' Source spellings ('folke', 'identifing', 'cheep', 'definately', 'damm') are preserved.