Page 30
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
The scan-verified page introduces Patrick in a Venice beach shanty, where alcohol, the Platers, sexual intent, and a hillbilly-inflected Los Angeles culture gather around his physical portrait.
The corrected transcript sharpens Patrick as both character and cultural sign. His buck teeth, crows-nest hair, wrists, hands, Ohio family, and guitar-adjacent hillbilly circle make him comic, dangerous, and emblematic of a rough Los Angeles subculture.
A character portrait of Patrick set in early-sixties Venice, 'not as romantic ... as ... its name sake'. At 'only ... nine in the evening' his 'emersed judgement' under alcohol slides him toward 'the side of a preconceived unwed mother' - another man's wife - while 'The Platers / were still playing on the rolling box'. The physical sketch is grotesque and vivid: 'thin ... buck teeth', 'darting eyes', 'black hair literally sticking / up from the brain the way a crows nest does for a pirate', popped wrist veins, 'ears like a clowns', 'a neck long like a hunter', and hands that 'should have been unknotted for music'. The page widens to a social claim - 'the sons of hillbillys had started to / gather into what would evolve into a distinct Los Angeles / culture', counting 'their counties with gutars' - placing Patrick's Ohio family as tough beach hell-raisers who 'wern't into the gutar very well' and 'wouldn't oneday become movie writers'. Source spellings ('emersed', 'Platers', 'hillbillys', 'gutars', 'wern't', 'oneday') are preserved.