At The Edge Of The Riddle Poems by Jack Joseph Smith --- The Riddle of death, so solve us all... Herman Melville
AI Interpretation
This collection moves through spiritual crisis, violence, memory, performance, countercultural appetite, and survival with a voice that keeps testing whether private damage can be spoken without being flattened into neat explanation. Across the book, the poems return to thresholds: between faith and despair, myth and daily life, spectacle and conscience, the body and whatever it still hopes to become.
Many of these poems read like acts of witness rather than polished arguments. They keep the jaggedness of speech, sudden leaps in image, and typewritten pressure of the originals, and the closing beach horizon gives the collection a late movement toward stillness rather than conquest.
What holds this collection together is less any single theme than a quality of attention — a voice that refuses to smooth its own contradictions. The poems move between prayer and profanity, tenderness and violence, philosophical abstraction and street-level concrete, and the typewritten pages themselves carry that tension: controlled enough to be composed, rough enough to feel like speech caught mid-thought. The 'riddle' of the title is not a puzzle to be solved but a condition to be inhabited.
The formal roughness here is a feature, not a limitation. These poems gain their power precisely from what they refuse to resolve — the line breaks feel like decisions made under pressure rather than aesthetic choices, and the recurring imagery of thresholds, bodies, and belief suggests a writer for whom every poem was a small act of survival.
Contents
- Page 1 p. 1
- Page 2 p. 2
- A Silent Self Imposed Identity p. 3
- Better The Gain pp. 4-8
- The Secondhand pp. 9-13
- The Fall I Never Feared pp. 14-16
- Memory The Old Way pp. 17-18
- Wondering where I went pp. 19-20
- The Good Bunch pp. 21-22
- Christian's Song p. 23
- Where It Is p. 24
- Hello Thought, 1973 p. 25
- Adem and Eve p. 26
- Don't Look Twice p. 27
- The Roe Violin pp. 28-30
- Believeable Translation p. 31
- My Friend Pascal pp. 32-33
- Even p. 34
- Hold That Nasty Language p. 35
- The Child Knows p. 36
- Well We Walked pp. 37-39
- Insulting the Abstraction pp. 40-41
- Abstract Sight, Abstract Touch pp. 42-43
- Older Now pp. 44-45
- No Harm No Foul pp. 46-50
- Kitties pp. 51-52
- On those Grounds pp. 53-56
- However Careful pp. 57-60
- The Moments p. 61
- Easter and Time pp. 62-64
- The Revolution Of 68 p. 65
- A Voice Without Volume pp. 66-68