Alcohol Sweetens The Terror
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
A sprawling poem that moves from alcohol as a buffer against existential terror through the beauty of animals, seas, and plant life, to spent fuel resting in dust and the daily promises we make ourselves not to keep.
The poem's subtitle ('A Bottom Poem, Or Going Down') signals its willingness to descend into despair while still cataloguing the beauty visible on the way down.
A meditation that opens on its own anesthetic premise - 'Alcohol sweetens the terror of being alive / in a Universe that has no ending to come' - and then argues that beauty (of animal, man, plantlife, 'the crazy-seas') lives in the possibility seen 'before some kind of mind takes it on.' A spent-rocket figure carries the argument: 'After the iron is forged the space-ship is lost,' 'After the fuel is spent it rests in the Earth's dust,' yet 'if we glow / our star will follow the ship we made.' The close offers a wry self-forgiveness - 'we will forgive ourselves / for the plan we daily promise ourselves / not to keep' - sealed by the subtitle 'A Bottom Poem, Or Going / Down... Does Seek.'
The poem treats intoxication not as escape but as the sweetener over a fixed dread, and its real wager is that perception precedes and exceeds interpretation - beauty is available in the gap 'before some kind of mind takes it on.' The space-ship is the controlling conceit: human making is doomed to fall back into dust, but the residual 'glow' lets the star trail the abandoned craft, a faint persistence rather than a triumph. The subtitle's pun on 'Bottom' and 'Going Down' is honest about direction while 'Does Seek' keeps even the descent purposive. The text is mostly clean; this reading is grounded directly in its lines.