Page 208
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
A second "Shakespeare" passage turns child-thought, blood, fire, and river-crossing into a cosmic tragic speech where slaughter and God share the same sky.
The opening distinction between a child having thought and a child being able to think feels crucial, as if innocence and consciousness are being separated under pressure. Crossing the river "without a sword" sounds like a doomed passage anyway, so the threat is moral or fated rather than military alone. The last claim about God and the galaxies widens tragedy beyond court politics into something almost astronomical.
Companion Shakespeare piece; rivers and mountains change on purpose before the sea 'for the nature of man.' Crossing this river is a one-way passage, hatred will see daughters and sons, and God moves 'as the galaxy's themselves.'