Page 216

By Jack Joseph Smith

Outside Your Self The big heart; the stomacg for love The good song, the first vacatiom the one where forgetting is impossible There again, the precious stone, you can not look twice; the matter, the force in the middle, is there a differance between water and glass, it shows with a bubble There at the edge, the unexpected dip in the sea would be the first and last I saw : of Stephanie So I’ swoop, but I am not tough enough, and it gets worse it tf ped I’ see death across the ocean eT I’ see Stephanie on the shore First I am afraid for her perfect swimming It is in conjunction with my knowledge

Original Scan

AI Interpretation

GPT

"Outside Your Self" turns vacation memory and love into a sea-edge crisis where Stephanie remains on shore while the speaker sees death widening across the ocean.

The page begins with vacation brightness and a good song, but the argument pivots on whether water and glass differ only by the bubble that shows their breakability. Stephanie appears twice, once in the unexpected dip and again on the shore, so the speaker's vision keeps splitting between loss and survival. "I see death across the ocean" turns knowledge into terror, as if knowing too much is what makes rescue impossible.

Claude

'Outside Your Self': restates the big-heart / precious-stone / Stephanie material. The 'unexpected dip in the sea' is the first and last sight; the speaker's fear for her perfect swimming is inseparable from his own knowledge.