Page 234

By Jack Joseph Smith

Where the star is set Here I am to lost and damanged to go Vivid and longed for makes a sound with your word Out of touch almost as a child Smiling A different ending each time Another revolution And Eninco is incouraged So tempo y tempo Eninco Porque.... Possibly you switch You see glorious for fATIGUE Being im love nothing remains The rifle is a lady less There you are Eninco Reeling back pLEASE catch yourself From the birth of the horse

Original Scan

AI Interpretation

GPT

This Eninco page stays in a register of damage, repetition, fatigue, smiling revision, and restless motion, where revolution and love sound like variations of the same instability.

The surviving lines feel less narrative than atmospheric. The speaker is damanged, out of touch, pushed through revolutions, changing endings, and shifting tempos, yet still addressing Eninco directly. What gives the page its force is the swing between longing and collapse: almost nothing remains, but the address continues anyway.

Claude

This page addresses Eninco directly in a mood of damage and fatigue. The speaker is 'lost and damanged to go,' feeling 'Out of touch almost as a child,' while endings keep changing, 'Smiling A different ending each time / Another revolution.' Time and rhythm blur together in 'So tempo y tempo Eninco / Porque....' and exhaustion surfaces as 'glorious for fATIGUE.' Love is drained rather than fulfilling: 'Being im love nothing remains / The rifle is a lady less.' The page ends with Eninco 'Reeling back' and the speaker's plea, 'pLEASE catch yourself / From the birth of the horse,' so tenderness and instability arrive together.