Page 241
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Riding overturns the world into sky and tractor-metal geometry, then ends in a blunt choice about how to answer the evil that rises from one's own ground.
The title sounds almost jaunty, but the page is really about disorientation and moral recoil. The colt turns the world over, while the tractor, furnace, and horseshoes keep the poem grounded in worked material and labor. The final handwritten coda sharpens everything: evil from beneath the earth is one thing, but evil from one's own place demands a harder emotional decision.
In The Saddle Again makes a moral pivot on the last three lines: evil outside you gives you a second to slip, but evil from your own people leaves only anger or sadness. The bucking colt, lost eye, and rectangular tractor are all scene-setting for that choice.