Page 25
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
The altered pasture becomes proof that mining has entered the house itself, dragging livestock, swamp, family labor, and honeymoon vision into the same damaged landscape.
What was once natural has become sleek and frightening, as if industrial change has learned how to pass for beauty. Grandpa's warning about the streams returns as belated wisdom in a place already remade by anthracite, sinking animals, and slow bogging. The handwritten 'it's wrong' interrupts the movement forward, while the closing passage from sky to mountain to slope keeps walking through the ruined ground anyway, as if love and hunting still require passing directly through the contamination.
Industrial change has learned to pass for nature: 'The color of the pasture changed, different than / natural,' 'the mines were all the way / into our houses now strange and as sleek' while 'we saw the livestock sink.' Grandpa's warning 'to leave those / streams alone cause we already have an anthracite' returns as belated wisdom. The mules and 'favorite half mules and there fearlessness against / bogging' anchor the lament, the handwritten 'it's wrong' cutting across the closing walk 'from the sky,' 'from the mountain,' 'from the slop as a hunter.'