Page 77

By Jack Joseph Smith

She is not blaming; the last time she saw the universace, she wasn't on the other side; and she can spin of a mountain, make it like an accident, should she go up or down, now that she can't talk anymore, so she hovers as a gypsy, with the loss of even round and round, and cuts her nails on being used, while she looks down on it spirial all the time,. when she runs up the stairs she lies and says she can't remember, there is the latter to get down,, she curses but around will use the lesser object to come down s: I got alot of book, and she can be the star of anyone you want; she is just a pale face with a freckle on her forehead,. she is under the pier, and I think her feet need sme work Well I have walked a cat walk, and I know she has too

Original Scan

AI Interpretation

GPT

A woman is described through unstable motion, damage, performance, and correction: hovering, spiraling, descending, using a lesser object, and still becoming the star of anyone's chosen scene.

The page turns bodily imbalance into a method of survival. Its odd spellings and typed corrections keep the poem physically exposed, especially around the stair, the lesser object, and the corrected movement from down to around. The final catwalk image makes the speaker's recognition of her feel earned through shared risk rather than pity.

Claude

A woman is rendered through unstable motion and damage: 'She is not blaming', she 'can spin of a mountain, make / it like an accident', and 'now that she can't talk anymore, so / she hovers as a gypsy', cutting 'her nails / on being used'. She lies on the stairs and 'will use the lesser object to come down', and the speaker grants her any role -- 'she can be the star / of anyone you want' -- yet sees her plainly as 'a pale face / with a freckle on her forehead', 'under / the pier', her 'feet need sme work', recognition earned because 'I have walked a cat walk, and I know / she has too'.