Page 22

By Jack Joseph Smith

Going to talk to the touch men They think it is apprehensive Like blacks we walk into a restraunt, but this time we see others leave Holding on in a cave We are the last drop of rain, you will ever see So filled with loss I do not permit a sunset Yet stars do not escape Going across the table, and picking up a riffle Engineer or cowboy; it's close to the same boot in trouble We don't view girls Then is when we kill in public

Original Scan

AI Interpretation

GPT

This page stages public movement through restaurants, caves, rifles, and touch, turning ordinary spaces into places of apprehension and threat.

The restraunt line is especially sharp because it frames social entry as an event charged by race and exclusion. The handwritten in trouble and the public killing line make the page's social pressure turn openly violent.

Claude

A menacing social-entry page: 'Going to talk to the touch men' who 'think it is apprehensive,' the speakers entering 'a restraunt' and watching 'others leave,' framed by a now-charged racial comparison drawn from the source. Loss saturates it - 'We are the last drop / of rain, / you will ever see,' 'So filled with loss / I do not permit a sunset' - before the turn to weapons and erasure: 'picking up a riffle,' 'Engineer or cowboy; / it's close to the same boot,' the handwritten 'in trouble,' and 'We don't view girls / Then is when we kill in public.' Source spelling 'restraunt' is preserved; blacked-out deleted material was omitted.