Page 103
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Deborah is praised as an overwhelming figure of beauty and force who turns male desire into awe, pursuit, and near worship.
The poem treats Deborah less as an ordinary beloved than as a goddess whose body, motion, and laughter reorder the world around her. Images of hawk, nightingale, sea, plains, stars, and thunder make her feel both erotic and cosmic, while man appears below her as seeker, prey, swimmer, and worshipper. The energy comes from that imbalance: she is the source of ecstasy and danger, and male desire becomes a restless chase after an image that can never be fully mastered.
'Deborah In July': long address to a 'bronze golden' beloved cast as nightingale-with-hawk's-heart, pagan-religious in register.
The poem unapologetically uses godess-idiom and doesn't try to earn it with irony. 'The cock's crow of man's dawn' locates the speaker at the start of every human day, making the address a cosmological standing wave. The turn is the refusal of playthings — the poem claims the beloved already contains the whole apparatus of delight.