Page 12
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
The poem imagines humanity at the exhausted end of the world, trapped inside systems that turn illusion, commerce, and measurement into a false order.
Images of the last fruit and the Earth's last framework make history feel used up, while new wizards and instant justification suggest modern authority dressed as magic. Commerce, rent, and federally funded trays drag apocalypse down into ordinary bureaucracy and managed need. The closing claim that the chart can be witnessed only without reflection implies that accepted systems depend on people not seeing too clearly what they are living inside.
Long apocalyptic ode: we're the last fruit of an exhausted Earth, governed by 'eyeglassed statues' who pass the measurement off as well-being.
The poem spreads its argument across small images of rent, chart, rock-skip and kids, so the end-times register never hardens into prophecy. 'Hell as a planet leads in commerce' is the line doing the most work: it treats damnation not as afterlife but as market share. The parenthetical closer — that the chart may be witnessed only without reflection — names the trap: acknowledging the system's game negates the ability to watch it.