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By Jack Joseph Smith

HOW LOW IS RENAISSANCE A man is driving His work is in coins The place where he must park has an alley nearby There is bad sound Death not on Heroin but of a cop They got him He can't do anything with him - but be a Hyena too So he got down By the wall and went Anye~ea! The policeman was spread with blood and breathing wild enough to help And the assailants miraculously conceived of the citizen in cold distain and left

Original Scan

Page 21

AI Interpretation

GPT

The poem stages a grim street scene where ordinary work, police violence, and moral degradation collapse into one another.

Coins, parking, and an alley begin in plain urban routine, then the sound of violence shatters that everyday frame. Calling the witness a Hyena too suggests that survival in such a scene can itself become degrading, even before any action is taken. The final image of the bleeding policeman and the assailants' cold disdain leaves behind a city where brutality has become almost procedural.


Claude

'How Low Is Renaissance': a coin-counter drives into an alley where a cop is being killed, joins in as a 'Hyena too', leaves with the cop still breathing.

The title is the thesis — a renaissance that has degraded to this. The turn is the word 'miraculously': the assailants stop not from mercy but because they can't be bothered with the witness, which is the poem's cold joke about moral accident. The citizen's participation without consequence is what keeps the page from being an op-ed.