Page 24

By Jack Joseph Smith

A POEM TO A PAINTER BEFORE: When I went to the calling that was the magic of this horror show I saw minds winding through darkest parts of the eternal currents into down below trailing upon twisted memories I went so slow on the screaming edge of my hanging lungs at the final moment when the last reded eye went into me and I caught a life in time to say I saw through men over knowledge as timeless with wisdom as an untouched tree after they had captured a brain and on scalpel sharp surgical stone cut it raw IT ALL: When I see water rolling white in the night within winding grays I think of the day that sank away to feelings going on the flow of men's sounds carried alas on the stillness in time to where there would have been other men as Will could have gone beyond toward turning teacher into brother but thought of all the gravestones along the way and could I walk there pretending I never witnessed deep dread face of the spirit or what would I write after again to again the wine went dripping from my mouth walking from doors of closing taverns with tears running a down my-lines like fading colors of a worn out hobo's tie?" HAPPENED: Men among lost men blessing man's soul in the wild of the black alley the world has yet to tally your understanding and consecrate lone agony in wreaths false wrapped round the tombs they place above you yet with art I deepen my own still passing beneath strength knowing movement gives not good leave with replys

Original Scan

Page 24

AI Interpretation

GPT

'A POEM TO A PAINTER' with BEFORE / IT ALL / HAPPENED sections: descent into horror and surgical vision, then tavern memory, then a blessing among lost men in the alley.

The page frames painting and poetry as parallel acts of witness. Its three-part structure matters: preparation, immersion, then aftermath. The 'worn out hobo's tie' simile keeps the page tied to the collection's hobo persona even while the poem addresses another artist.


Claude

'A POEM TO A PAINTER', built in three labeled movements - 'BEFORE:', 'IT ALL:', 'HAPPENED:' - tracking a surgical descent where 'they had captured a / brain and on scalpel sharp surgical stone cut it raw', a tavern reverie with 'tears running... down my-lines like fading colors of a worn out hobo's tie', and a final blessing of 'Men among lost men blessing man's soul in the wild / of the black alley'.

The three subheads ('BEFORE', 'IT ALL', 'HAPPENED') stage the poem as preparation, immersion, and aftermath, and read together they spell a rough sentence about an event that overtook the speaker. The first block is the most violent, casting vision itself as a vivisection on 'the screaming edge / of my hanging lungs' until 'the last / reded eye went into me'. The middle softens into elegy and self-doubt - whether he could keep walking past 'all the gravestones' and still 'write after' - with the 'worn out hobo's tie' simile binding this address-to-a-painter back into the collection's hobo persona. The close turns consecratory: art lets the speaker 'deepen my own still passing beneath', insisting poet and painter share one threshold of witness over the unburied dead. Source spellings 'reded', 'my-lines', and 'replys' are kept as written.