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By Jack Joseph Smith

The Restraunt Of Kings Reguardless of age They act old taking chairs with their wives As in a Mass their black eyes are long While the skirts and tables, are a chorus they will not mention Yet the outward glance of grace SiNgS ee. of the survivor? of the killer? of the deale Who no one ever knew, | until it caue time to order the wine, were shy, exactly one second before the observation. x? ,

Original Scan

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AI Interpretation

GPT

A formal dining scene is charged with menace, as old power, marriage, grace, and wine conceal something predatory and barely knowable.

The title promises kings, but the room feels more like a ritual of authority than a feast. Chairs, wives, black eyes, skirts, tables, and wine all carry a ceremonial polish that is repeatedly interrupted by hints of killing, dealing, and survival. The fragment breaks before resolving who these people are, which makes their social grace feel even more suspicious.


Claude

'The Restraunt Of Kings' (first recension): diners acting older than their age, black-eyed like a mass, grace-song of survivor/killer/dealer.

The poem catches restaurant decorum as a ceremony of withheld information. 'Were shy / exactly one second before the observation' is its joke — the social face is a reflex, not a policy. The uncertainty about who the diner is (survivor? killer? dealer?) is never resolved, which is the point; the poem is a portrait of the unresolvable.