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Truth's death is imagined as a slow contamination that reduces a person toward nothingness and poisons life from within.

Like the earlier version of the poem, these lines insist that falsehood is not flashy theft but patient degradation. The shift to "nothingness" makes the damage feel even more complete, as if corruption hollows out the self until only vacancy remains. The polluted pond image keeps the moral claim bodily and ecological, with death spreading through an apparently shared environment.

An untitled second version of the page-47 poem: 'The long drawn out death of truth / Dosen't sing the chant of evil', growing 'backwards down to / Your nothingness' until disease ferments like 'a poluted friend in a pond -'.

This recension repeats the blackness-in-argument figure but swaps 'last littleness' for 'Your nothingness', which is the meaningful change - nothingness removes even the small remaining scale from the decay, so the verdict reads colder. The same negative method holds: truth's death does not sing, does not steal 'like a swift thief', but grows backward into vacancy. The 'poluted friend in a pond' image carries over intact, as if no better figure for slow moral rot was available, and the trailing dash leaves it open the way page 47 did not. The doubling is evidence of a poem being worked rather than archived. Source spellings 'Dosen't', 'desease', 'poluted' are preserved as written.