Page 36
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Sound becomes a way of receiving wonder, guilt, speech, cowboy silence, and cosmic change without reducing them to explanation.
The poem builds sound out of wind, speech, stars, gun barrels, cowboy silence, a child's hurt, guilt, and the late awareness of being small. The corrected moon, LEAST explosive, and NEW dream lines soften the ending's cosmic force, as if sound survives where explanation does not.
'Sound' opens with dense alliteration - 'The willow wind winds its way with wonder' - and makes speech sacramental: 'Kiss the tip of all of tongues as we speak,' so that 'getting it is as good as God; that is why the universe: / speeks stars to change.' The poem turns to cowboy stoicism as a model of restraint: 'watch the bronco stop in the sun, / watch the cowboy lay his hat down, and say nothing, / about who has won,' invoking 'Steve Mc Queen' and the counsel 'don't be takened away.' It diminishes toward a final smallness - 'Glass through which wonder makes time, / LEAST explosive than a NEW dream / Rocked on a little stream / I am small now / All yet a sound.' This reading stays provisional: the page is needs-followup with uncertain lower-right handwriting. Source spellings 'hesitence,' 'eglastic,' 'principe,' 'whem,' 'speeks,' 'ocassioned,' and 'takened' are preserved.