Page 58
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
America is seen through stars, crops, creeks, racial and ethnic types, fear, and fascist drift, making the national portrait sprawling and accusatory.
The page builds a national and planetary indictment through landscape, racialized figures, labor, money, luck, and North America. Its handwritten YET sharpens the ending's unstable attempt to imagine brotherhood restored for the first time.
A sprawling national vision moves from landscape ('Valleys that run corn and hybiscus across creeks') into a deliberately ugly racial catalog -- 'Flat nosed negros and drawed chin Anglo Saxions', 'Roll eyed Spanish speaking knife fighters', 'wild American / Indian drunks' -- all standing 'as the the trees left'. The poem then indicts the speaker's own country: 'we of course are fashist; afraid and stuck to our / condinsation', whining 'through drawing / moons', yet ends reaching for repair, where 'like Dartanion' someone goes 'to put brotherhood back together' so that 'once / again, will be our first time'. This reading remains provisional because the page transcript is OCR-uncertain and the handwritten title-side notes are unresolved.