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A short handwritten fragment rejects the surrounding talk and sends the bats away.

The page reads like an aftershock from the preceding institutional violence. Its compressed lines turn disgust into an almost ritual dismissal, with the bats carrying the scene's nervous or nocturnal energy out of the frame.

A five-line fragment records disgust with talk and a gesture of sending the bats away.

The handwriting is spare and declarative, as if the speaker has reached the limit of explanation. The bats make the emotional recoil physical: something dark, restless, and nearby is dismissed rather than analyzed.