Page 135

By Jack Joseph Smith

J07. Animals Wraim began te shake tec, about:atous move ing fer-the joyyof ne: purpose, Did “the deg ,or “thee . duck, or the-Animal! have ancausés. when. each ones: twitehing was making sense? The deg wade -a "yelp," The dog reeegnized: that: there was :something inhuman in: pretending neti.te ee ENMow The duck came bounding, Now thelwings ef ‘the duck were making thecpeople ef the bar-do unusuali things tees Net only were there men helding up: there-gute for ‘the first time of nbthoeable-stand= ing net out ef necessity, but there were "alge. com binations. of people pissing directly: im order te make the floor-shiwe like what they envisioned ‘as: there -privately- oceupied 'vacdtiening. lakes A bubb- lad ‘acid ‘stream Plowing through: particled flith, but.it eeuld ‘be spread iout and maile te glistem with a shees’ . The duck was -happyé! and for-Animal, It cost: hit. ; nothings The women: understood; The dog-ef the-wemen:was: rebling:inte a role accepting: terms:for anyy kind | “ of plays! ,

Original Scan

Page 135

AI Interpretation

GPT

Prankster's Mexico story turns degradation into grotesque comedy, where humiliation becomes part of the mythic self he tells into being.

The scene is filthy, funny, and sad at once. He preserves the tequila, wakes in a stranger's care, and retells the episode as performance, which shows how survival in this book often depends on converting shame into story.

Claude

Prankster's Mexico story turns degradation into grotesque comedy where humiliation is part of the joke he tells against himself. The page is his loudest self-deprecation yet.