Page 158

By Jack Joseph Smith

1 TO feos with speeds: that slips" Quickly he ‘stepped his motion iit the middle of his turning legs so that hia Imees and ‘elbows:were bent, Looking above himself at the: last pite® ef a rolled out: laughter he ‘said’ what was: 7 to-hitr a huge phrase: in the single-word, "alot," He tesk his:armsite a full stretch eut. inte the-ain, and i them folded them down across hia stomach bending at : the -seme>time-his head te the sands "T¢ that the-Highminded bow ef a German. bunt" ! "Ne, it is net’ that, I’aek for participation, net a \\ . fandéut, I work for you: now, but this Beat Héuse wm He fgced* Animal erect, and threw his left arm to hands hia whole pesture like the gesture-of a stage acter ! out’ indicating, ~" thé-Béat:House-will sink from the : neney’ that ewns:the sand, I'like-the work, but. this- place-will! be sucked” up by those Kind of Jewish fine i gera:that leek like the stems ef seaweed, The purpese ef this enterprise-can net last against the realise tate -your humor. purposess" He stretched his arms: euts further than ever he lmewy with hie back cracking, his: veins im a ripp- ; ling soream, ."wingeé feathers ‘im fall is a nest for { winter" and the sand birds jerked, jumped, then flew hoping, Prankster: bet in his biting thoughte, : fer wings of the Gully’ :

Original Scan

Page 158

AI Interpretation

GPT

Prankster turns the Beat House into a doomed struggle between communal aspiration and the moneyed powers that own the ground beneath it.

The scene is theatrical by design. His gestures, slogans, and grievances all turn work into prophecy, and the complaint about real estate gives the page a clear sense of how quickly fragile counterworlds get swallowed by ownership.

Claude

Prankster turns the Beat House into a doomed struggle between communal aspiration and the moneyed pour of outside interest. The page lets him sound briefly political.