Page 163
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
Animal's clowning becomes a survival ethic, while Jaugeline's response shows attraction, self-defense, and old intimacy reappearing between them.
The page makes comedy feel necessary rather than decorative. Animal needs his role in order not to collapse, and Jaugeline's effort not to be pulled back into old patterns gives their brief exchange real emotional resistance.
Animal's clowning is given as theology of survival: making someone 'gasp just a little' is 'like the successful connections people make with themselves', and he 'had to believe that comedy was unparishable to himself, or he knew he would parish'. He plays 'an aristocrat face with short hair; but no shoes and a brown paper bag', a 'pleasant clown' at home 'with his heart for awhile'. The page then pivots to Jaugeline, who tunes 'the blueness of her eyes out of distain' as her 'former lover' approaches 'in his dressy robe' - greeting him while bracing not 'to get trapped in bull shit talk'. Love and weariness arrive in the same breath.