Page 163

By Jack Joseph Smith

/ Aq a nie ‘vieit, and ‘botton's-upi" If he could make semeone gasp just a little, it was like a beauti= fulidress for a beautiful: women; It Wes slike the successful” cennsetions -peeple make with: themselves « thattake ne thoughts}! Bub he had ‘te believe that: comedy was unparishable to himself, or le knewvhe would parish, Ordinary people -leved'an aristecrat® fdce-with shert hair; bub ne -shees:and ‘a> brewm paper lags’ He saw people say to themselvesy what. ig in: that bag thatokvicuslyhas:no meaning, but must ‘be some sortiof luggage,’ He strolled’around”’ im.circhessbeing a pleasant. clown, and ‘feeling at home-with:his heart. for -awhiles' Jaugeline successfully: tuned*bhe blueness of ‘her~ eyessout of distain, as:she saw her former -lover - coming ‘toward ‘her -in his dressy roles: Quickly’ she changed heS mind from ‘hating herself fer having this urge te come her almost’in quarter sections threugh -the yearse! "Helle Jaugelines" "Helle," she replieds insisting upem herself, thet she would net get ‘trapped im bull’ shit talk wasothe manner ef the phrasecte step indulgence pata clears = ~~ . a Sa a - "You: leek, wella" raat : o .

Original Scan

Page 163

AI Interpretation

GPT

Animal's clowning becomes a survival ethic here, while Jaugeline's response shows how attraction and self-defense keep reappearing between them.

The page makes comedy feel necessary rather than decorative. Animal needs his role in order not to collapse, and Jaugeline's effort not to be pulled back into old patterns gives their brief exchange a real emotional resistance.

Claude

Animal's clowning is treated here as survival ethic, and Jaugeline's response shows attraction and fatigue held together. The page refuses to separate love from exhaustion.