Page 166

By Jack Joseph Smith

: A aurreundéd: by blirubs :and ‘tress behind ‘the-front’.rew: line of heusess He epened” his gave; .walbked* through avpatid, .teok a 3 An frem above the door, epene ed'the leck, and went inside locking behind hin as he moveds Let's .seeg he thought’.to him self, Feed" the ducks, ,put ‘my papers in ordér; and then check , the depes “When it's alli here, brother, what great’ peace ef mind," he said te himeelf alouds A few: mimute's latter “it was,.and he “laid dewn on: his wed ‘te relax after lighting avreefer, He reminded’ one ef the deceased movie acter James Dean, in that if he lived uptass and bedy would remain young and restless past’ middle ages His voice-and manner on the other hand were New Yerk like James: Cagney, So Jiven Joe was one whe looked like a ; boy; but’ acted ‘and talked like a many Today had’ been one of these days, when an henest acting ° agent had told him that he was a lead, but sorry: 3" : they couldn’ 4 lit#erally-liandle hing ,because his - . personality was:already formed, and‘ attempting to-meld ‘hie would ‘beceméy they were-surey .arr arg vmenti' He had gone into their board meeting about him wearing Levi's and a blue silk shirt madé-in - the early fertiess His boots were ‘black Spanish, and his hair was cut’ to comb backs : :

Original Scan

Page 166

AI Interpretation

GPT

Jiven Joe enters as another figure built out of image, hustle, and self-possession, carrying both old-movie glamour and drug-world anxiety into his private space.

The introduction is carefully styled. Ducks, papers, dope, Levi's, Spanish boots, and old Hollywood echoes all combine into a man whose personality is already a finished object, which is exactly what makes him hard for the industry to use.

Claude

Jiven Joe enters as another figure built out of image, hustle, and self-possession, carrying old theater and street both. The page is his arrival scene.