Page 175
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
The page ties Jiven Joe's acting, hustling, and mortality together, then shifts back to Jaugeline moving through Brentwood and Santa Monica's social geography.
Jiven Joe's calculation about prison and death is coldly practical, while the landscape around Jaugeline returns the work to a city of class zones, routes, canyons, stores, and exposed desire. The shift feels deliberate: private schemes keep spilling back into the geography that formed them.
The 'afterpain' of these auditions 'was most always about what never got said'. Jiven Joe has a singing 'engagement' at 'a fallen bar bought for a young lady by a movie star with death in his nearly last eyes' - the star's death having 'closed an era of at least a small circle' - but he decides to break it and 'hussle some stuff', since 'anyone can die from making a mistake' but he can 'control the existence of his never being in prison again'. The page then pivots to Jaugeline winding through Brentwood, the manicured wealth rendered botanically - trees 'limbed through the plateau's of Beveraly Hills', 'dead dying as twigs' before 'Safeway stores and patronage unlimited' - then to her carefree walk with Animal down to the Santa Monica bars, the two 'cleaned from cars'.