Page 178

By Jack Joseph Smith

: [EA viewed ler being viewed by the flock of men members: at the Uar{ Tieis faces were-embarrising, and he« didn't want’ any stock image OP joke to come out’ of their dézestable need to let nothing changes His right ear leaned’ to her-at the edge-ef the: very untomespun silences "Te find out we better be walking," she amiled, . Blackie steed imeezawarecfor the tips of his fine : gers helding and pouring, with a -twisted tenque ~into an end curves as if Animal's eyes were ‘twisers ready to pull out on the twitching, just before s he and she of shoulder bladés turned ‘leaving. “americam dépression for ‘the middle eastern saints," cried Blackie, ‘ At the door Animal: said’ that it was true ‘that: oil had a geod use for making things switch easily. They went walking by the sea for a time apart from problems, Away alcehel, instead down near the water with salt that would still heal, Dewn there alone . along the line between nature and citys ds a pheto= graph to themselves, the only humanity net strangers ; te-that sky. The first picture of a motherwomen be~ fere children, But then JaugeFine was classical too, Letting her mind be fleating, But no dreams at that’ verge of being outside of focus, But she didn't seen te care about romantic: pieces ef life changing more

Original Scan

Page 178

AI Interpretation

GPT

Once they leave the bar, the walk by the sea creates a rare interval of quiet where Animal and Jaugeline can exist outside the crowd's need to fix them into types.

The page treats shoreline space as a form of release. Salt, distance, and the line between city and nature strip away some of the theatrical pressure, even though neither of them fully escapes the older emotional patterns they carry.

Claude

Once they leave the bar, the walk by the sea is a rare interval of quiet where Animal and Jaugeline are not under observation. The page is one of the manuscript's tender beats.