Page 179

By Jack Joseph Smith

jes often than realistic ones, Like the difference be= tween an awareness of seconds and minutes, Like -the leop of whirl when the sky should swirls But it did. net from the vibration eff the streets in inclanit- ation te remark about the impossibility of excape. But their hands were cupped and swinging from the - stroll, Hé like-on wishes, She letting her pointed tees sink in the sand, . "I've never had a notion," “What was that?" he inquired, "Ok nothing," she replied laughing with her eyes , rolled bagk, She continued te think unto herself as she was listening to what he called, “a reminder of the : Dead Sea," She cénsoled beginning ever again with her waist exact to the ends of her toes as a sea rushed to her slightly it was ef course trues Not a slaming like story; only that the smothered’ belonging of her toes uncevered with a thwart of sand in step - could not keep her mind from the penitence it teek te-keep her life away frem what it teck te accept Jiven Jee had just gotten off the phone, He went to the door and opened it for breeze, Through the gate-walked Jaugelineijand Animal, He went right inte

Original Scan

Page 179

AI Interpretation

GPT

Jaugeline's inner penitence and the gentle beach stroll are interrupted by arrival at Jiven Joe's place, where another charged social stage opens.

The page is especially good at showing two realities at once: the softness of the walk and the stubborn burden Jaugeline still carries inside it. That unfinished inward struggle is what makes the sudden turn into Joe's world feel earned instead of abrupt.

Claude

Jaugeline's inner penitence and the beach stroll are interrupted by arrival at Jiven Joe's place, where sanctuary must be re-negotiated. The page is a transition handled in her voice.