Page 180

By Jack Joseph Smith

(46 making her laugh lighting bragging and teasing his friend about hers Hew they had meet, How beautiful’ 1ife-wass How garbage didn't stink when you didn! t Nave to déliver: ite How even L.d, has.isanctuarys fer men and birds, Hew the who le atream ef life: should be permitted te live in make~beliieve; as it didn't pertain to plastic flewerss "after all, there's got’ te be a limit on free: will. afterall, you can!+ expect progreas to die by letting cosmic: life-exist, I mean, . anywhere but’ heres" Animal intreduced his new lady and friend, They smiled, They had seen eace other en the roundss Animal and Joe knew ‘each ether from Hawaii, and joe knew ‘that’ Animal had never laughed because he theught Jee had fallen, Se they could be directly cutting threugh, and talk secially like feels or businessmen . “Let's plan a little celebration. Jee can rel) up a foot’ long numbers; Coney Island. Get it? And the old Animal will go dewn te the market fetch- ‘ ing wines A nice Vir Rese’ in consideration of the lady." "Fetching? Mam, Animals te much. “Get to keep up with poetry these daysse. No . fields to fetch threugh though,"

Original Scan

Page 180

AI Interpretation

GPT

At Joe's place, sanctuary itself is imagined as a human permission to live in make-believe, so long as it stays more alive than the fake decorations of ordinary respectability.

The language around garbage, birds, celebration, and cosmic life gives the patio a deliberate improvised holiness. Joe and Animal are building a counterworld out of cheap food, jokes, and style, but the page never forgets how precarious that world is.

Claude

At Joe's place, sanctuary is imagined as a human permission to live in make-believe for as long as the light holds. The page is Joe's articulated hospitality.