Page 189

By Jack Joseph Smith

i fences: would ‘pring the -excape:of am adult te their ghelterg In the parlor, saved ‘up corked wines and the children freed asleep to dreaz plan the coming . . ef their ewn questienable yearse If just’ this night it would work past the eche; no taste; or interre uptiom ef cheapnesso Marie-watclied, The -otlier ef French ladies passed’ é tlirough the dimmed déwm electrie evening glows Of midetwentiess from Mentreal, and strange Marie-was: sure from these ~tines of auddenly dyuges Marie, niet even knew ‘this ladies sway, whe'g name she -had’ heard’ , was Marie-tool The young Marie was unfawiliars Not traditionally peasant: to old Marie, whorvould’ nea to her ‘day time acknowledgements: in passing, while- never did‘ ghe ‘suggest appreaching for conversations - She would slightly bring back her long hair with a brush of her fingers fer the saying ef helle, then : her hair would be-let te fall again as if it were a : veil remeving things and people sidelined to her walkinge ‘ ° The young Marie cortinued on, Her tight Tight white: featured’ face-ancnymously fading from the reach of ‘ ot le af carved stvectianp, which, upon the tearing . down for the new concept plastic shaped! steel, would . , fore ro be the last set symbol for ‘Hart’ Streets change’dir .

Original Scan

Page 189

AI Interpretation

GPT

Old Marie's watching becomes a meditation on generational change, as another Marie passes through the neighborhood like a sign of the street's coming transformation.

The doubled name matters. It lets the page hold aging, foreignness, memory, and redevelopment in one image, so the personal act of looking becomes a way of measuring what a place is about to lose.

Claude

Old Marie's watching becomes a meditation on generational change as another Marie passes through the street. The page stages a name-repetition as lineage.