Page 194

By Jack Joseph Smith

EO Jaugeline watched Animal in glances from the ichiléren and Jiven Joe, She saw a pesition tak- en in the leng bone of his nose, That was com forting. But the brew had been wished wilds | (Mere than mine to troubled jeys I come) Grinding teeth, "Whe care's?" Maybe the image of ‘prehistoric: had got tegether this name of An= i imal, What kind of Animal? (an Appaloesa herse ; be. the Nerth Pacific-te ridé under-the tree to- ped eum amist the filtered 'shadés of Ingmar Berguan light) She shreeked ‘a fast laugh, The ; hovie ef the taverns streeked tee threugh her wind, and she was back to him. : | (Lips full | the tep same shape of the heart | A ved’on black carded King | was dealt out to Spades | I let him: pass urmotested _ But this time the-queen's in my shoes ~ | Which incidently I don't have) The children were beginning te pass eub the deer, ; The music-:and grace ef the children was quiet and’ renoved ‘from Jaugeline, Joe was a directing a soft- hess threugh his music te them, Hawaiian, Calypse, and classic self ‘as a feelings He was smiling all! ever his bedys The children would have a nice nights pieeps \ , |

Original Scan

Page 194

AI Interpretation

GPT

Jaugeline watches Animal while the children leave, and her inner fragments show how difficult it remains for her to separate tenderness, fantasy, and danger.

The page keeps shifting between observation and inward lyric. Joe's music softens the atmosphere, but Jaugeline's thoughts still come in jagged, private forms, which keeps the whole evening emotionally unstable.

Claude

Jaugeline watches Animal while the children leave, and her inner fragments show how hard it is to trust what she is feeling. The page is her interior at the edge of commitment.