Page 215
By Jack Joseph Smith
By Jack Joseph Smith
Original Scan
AI Interpretation
As the ship's departure stalls, the deck fills with cartoonish self-display, and Animal turns the passengers' badges and mannerisms into a comic critique of borrowed sophistication.
The page is good at showing how modern travel can feel theatrical long before it becomes transformative. Everyone seems to be wearing a role, and Animal's mockery keeps puncturing the cruise-line version of glamour.
Departure stalls 'another hour,' and Prankster's body keeps cinching tight - 'his jaws would be like clamps,' an energy 'equal it seemed to the pistons of the machine run ship.' On deck, 'middle-aged men and women' pass 'with the hell raising glaze of no tomorrow,' wearing buttons 'mostly... displaying their own characters out of caricatures from cartoons.' Animal, savoring 'a unmistakeable identity from the beginning of this new epsode,' turns the wait into mockery - 'Who are these people acting like movie stars, who obviously are not?' - and his retort 'this is the Corona Lines, not a Manzanillo tramp steamer!' lets Jaqueline nudge him to a 'leaping one sided mouth to ear grin.' The page is a comic holding pattern, glamour punctured before the ship even moves.