Page 217

By Jack Joseph Smith

| &- sealine ‘alive before paradise after the: trusted wait from limbo, Flowers: opened through the-filitered sand, as: though giving birth to times She was one: walking with the whiteness as an artistically made shadows that gives color’no conf Licks Her yéliew: tight curled hair now wrestled her brow frontward’ from the wind, Theres eyes: cyristled' to the sur seeing violet through the green leaves: of palm, her mind ‘completely excaped’ her, Buti fory the delicate form of fingers ‘touching a refined’ liquor glaes to suspension, she would ‘have fainted or flown, She> was a sexual ewang alive-for swoon into eternal sing Her: shoulders: were wings laid on.a spot of moss by : a waterfelled’ pond. Unfamiliar animals desired’ her with eyes tamely stolen from mature ‘young boys, and they had a bittersweet strangeness from loosely parted lipse The dream of forgiveness, when: the -ideaxof for= giveness::is forgotten. Thie-trown's were soft. No black light. No mask of papier=-mache’, No temptation to be lost, yet doing 800 No demned’ boom of humanhelltones oa Buti suddenly the ship: was moving: through the ‘angles. of an oil rigged seas No smooth visiom of a launching:

Original Scan

Page 217

AI Interpretation

GPT

Jaugeline's Hawaiian vision imagines paradise as softness, forgiveness, and sensual release, only to have the actual ship's movement snap that fantasy back into the industrial sea.

The contrast is the whole point. Her dream is lush, weightless, and almost mythic, but the voyage begins through oil rigs, angles, and engineered force, which keeps the collection from surrendering to pure escape.

Claude

Jaugeline's Hawaiian vision imagines paradise as softness, forgiveness, and sensual release before pulling itself back. The page is wish catalogued with suspicion of itself.