Page 220

By Jack Joseph Smith

SES tbat front seat filled with £ cocaine powers ec. . white like Walt Disney's angel'dust. Davenport's attitude-appeared loose, but his eyes were glazed with a vivid control, Like at least watching. the- sensations of a super executivesviewing the -city through paned glass, Davenport's thumb and the front finger of his right hand held the small silver spoon, like the delicate way of the devil exploring éfficient mannerisms for temptations then he passed the> momento of societies birthright child te Prank= ster; and ‘they began to laugh with instinct’ about: the unneceasity of the prefermances "Being hell bent on non-civilization is not a teeny bopper crazes After all Prankster, we've: come out of the jungle with some soft transport= ation, and we're-all into comfortable -benefits for mankind," Prankster's laugh tightened“ witk nerves; until snonted 5 he had ‘sniffed‘his system into the crystal’ scheme- of the other men, and removed his fearseo. that, however, were-followingesee Below the-Rolls Royce, manifest not more-than a mile back on the winding turns, ond agin of three black and white carsy making a pack, the bloodbird= ee ee rolléc/, - Patry Wagon — Tee Wore

Original Scan

Page 220

AI Interpretation

GPT

Davenport's cocaine ritual is framed as a polished class performance, making corruption look elegant and managerial rather than chaotic.

The page is sharp about the manners of vice. The spoon, the car, the executive pose, and the laughter all make the drug world look like a distorted mirror of corporate confidence, which only deepens Prankster's unease.

Claude

Davenport's cocaine ritual is framed as a polished class performance, making corruption look like finishing school. The page is a style critique of money.