Page 22

By Jack Joseph Smith

7 baek to the sea-for a young beautiful love, Ian ; as: someone who has forgotten everything they were trving to think about, .but it ia not. yet complete happinesss" Greeking up his nese he bends his mouth to the side-and beams his eves out te the breathing green envierment around’ hin,’ £) ai 6 Kho ¢ a Wand if thinking like this is murder to memerv; then after all is done. net.to-be.mentioned, the mest unusual place to be, coujd come, To be taken 6s fw ewe twto fA Levee ThE under; T yearn the yearn of never coming back." Letting go. he goes: down inte grass aside fern : and nibbles on bude. Careful and delicate with hia nibbling. his ferm is bent: with his eves , even to the food he has feund among the foliage, ext fia body is tight. A tempered human with pulee es vay and® energy enough wee ince tara 8 IP Gore SSE Wot Slowlv: he risestin Siesta Ringdsgliien a —_— Yin care out of a kmewll toward hille relling weer oh a ty te seoonint ON HTE Suddenly. the red molten past wt w9 = ve? a Pays Maye he f sm ‘ of ddewa Plashee ita first mind ‘hal Tenge: form i. hieedream as he continues nupand? ‘Walking out of § ¢ [ a garden to lava-er women His mind burnt reds his id hth yaivtellies soul e:rene. He is errect; a-wired aa ‘in the une “* iverses x. t&e Cusfre 4 7 : ¥ <_ °

Original Scan

Page 22

AI Interpretation

GPT

This page moves from amnesia and yearning into a bodily, almost feral attentiveness, where happiness remains incomplete but perception keeps sharpening.

The speaker seems suspended between forgetting and a more instinctive kind of knowledge. Nibbling, bending, rising, and watching all matter because the page keeps shifting thought back into posture, appetite, and motion rather than abstract certainty.

Claude

A short page carrying Animal from amnesia toward bodily foraging — bending to nibble buds among fern, eyes fixed on the food, tight as a tempered human. The image of the wired erect figure moving through a garden of lava and women is interrupted by dense marginal notation, keeping the composition visibly unfinished.