Page 236

By Jack Joseph Smith

eee ; piece:by dawn, .dismantled her apparatus, .and dis= embarked from her mosaical painting leaving the public to decide if a nude-is justifiable when she , has nothing to sell, | , As the long stick mops reached for the last of _ the bosoms Jauqeline wondered with a bit of aston= ished laughter," what are they doing up there?" and she continued on making a statement about~her ques= tion. First off in a gruff tone. "The advertising sensual slaughter house-must believe>that nudes are a hazzard when not bought and sold." Now affected ; manner and speach, "And they have told the politice ans; who obviously need their help," into the sound i of a sick sissy, "that public relations must be for= bidden unless a cock=tail is seen as the means of transaction," Her face-puffed up to renew: the gruff nesss "Darn dignified’" Brief laugh bninging posture : of folded arms and high tits speaking streight off, "how about it mind at large; go to Mawaii'for a wedd= , i ing, come-back to camp and find L.A. sexless?" "I'm on my way out," seckd Davenporty Restated, . "In, out; lots of ewiteh for the witeh, Which witbh? 7 She'll never smolder, See her dear steel’ rise. They are looking through glass. See us run. Where-run? The cem= enta-all free folks. Around and around with no bush or : ‘

Original Scan

Page 236

AI Interpretation

GPT

Jaugeline treats the whitewashing of the nude as proof that public sensuality is only tolerated when it is already absorbed into transaction and respectable mediation.

Her rant is comic, but it lands on a real social critique. The page sees the city as hostile to unbought beauty, which fits the larger book's suspicion that visibility is allowed only when it feeds an approved exchange.


Claude

Jaugeline reads the whitewashing of the nude as proof that public sensuality is only tolerated when drained of real body. The page is her art-criticism.