Page 237

By Jack Joseph Smith

Jor poll, because we're -grownup's," : Tt was animal talking. and as he said, "nobody thinks they can be beat down while ‘their moving," Davenport turned to him uttering at the same time rather loudly, "I'm on my way freeway looping it right on to the big 66," At the sound of 66 Animal said, "King Cole came the other way." "Ain't gonna be no New York Blues for me baby. after noon bartender, and lowside -theatre-at night." "Drop us off at Hart Street." Moments: Tire squeezes Curb with no pullover. Beep, beep behind. Ready to rush from the seats Jaquelines "My father being a lawyer; who put up the ; bair?" "Let not even an airwave-of dept be mentioned upon arrival at the New Port of Daven." animals "Release-fram the cell is making laughter of . = the working man's bondages" , Primed up Davenport: called’ to them in exit, "they will ‘ endures" and ther was added his; "farewell" "Wellfares" said Animal, his back to the street and a: smile -toward” the ‘sea with Jaugeline-stretching into her laughter. ant eon paper bag in his right hand’ and Rolls at least rolling; away, as vividly done for the moment ) |

Original Scan

Page 237

AI Interpretation

GPT

The ride's end lets Davenport peel away into his own freeway mythology, while Animal and Jaugeline step back into Hart Street carrying the same mix of laughter, poverty, and improvisation that defines them.

This page is about divergence. Davenport exits into speed and self-regard, while the others return to the neighborhood world where humor and need remain inseparable.

Claude

Davenport peels away into his own freeway mythology while Animal and Jaugeline continue on alone. The page resets the couple as a couple.