Page 247

By Jack Joseph Smith

€ ae * DU Coming down from the skyscrappers-to. the east she was: ees On : een ‘ AU spa ti gad, >. thereupon the beach in.motion, Gradually. coming-down- ° e before her the buildings of Hart street and the -beach were A i045 * Re Oa yy Fee I Pas" ‘ Lhe, aud birds shrobs still ton, with an antenna here and there just high enough 9-25 b fbens FE, 3 ae ORES oeaG Cone hs, sPSSMe- for-a little bird, She had twisted out of its That sitting ys Cou/d, , position. “ix days was enough to bend your knees withyour ieee fash j belly anyway. She had awoken into-reality but was brinmed Some thray 7 5 fies ng tthe Jo a- pass ae fy See ” Z \p still to the full with austerity. Now they watched her, an «227 “9. sh teh ecb bak > Ps KA SO PrEepiteg Us A) AYO) animal and Jaqueline “vith an unconscious that seemed’ to «2°. Lig, ve tele Arathi Sy . . Ny ‘ have found root in her body, Jaqueline saw.a-height, and’ ""4 hEeR, < Vor cae tt : ‘ ae ww ptaced recognition with her onthe line of connection be= } ny Ate a \ ms yy tween womens temples, Jaqueline kmew. names of people that g . J f - were-places to go. All along her street journey she had " 4 J remembered every mention of lives the. connected with her 7 ff state of mind and it's being the truth to her, Jaqueline - o Ti rf VA kmew to herself that she did not know Maria, and her women's : A ‘ dignity put her seperate, but the seventh day for Maria, and \ 4 - the first day for Jaqueline now, saw a full height fulfilled 2°. in Maria's face, ° “she-has-been.ao_calm that the police don't even know. -~ - mean animal; they arn't even here to galk." As Jaqueline wee 5 2 speaking Armeniari Al let it. be known that people who-wear™~ 2 : uniformes do not watchs. tee bere! & “Look at the uniforme in the eyes," said Animal. “It's : goigd off to call the men in little white coates" ff 4 . a4 FIG Geo S typ FEAL RI Cy fT

Original Scan

Page 247

AI Interpretation

GPT

Maria's austerity gives way to motion, and Jaugeline recognizes in her not similarity exactly but another woman standing inside a difficult, fully inhabited dignity.

Even through the rougher OCR, the page clearly turns on female recognition. Maria's composure is not romanticized as purity; it is shown as something earned, bodily, and almost unbearable to witness clearly.


Claude

Maria's austerity gives way to motion, and Jaugeline recognizes in her not similarity exactly but an adjacent extremity. The page is a meeting of temperaments.