Page 254

By Jack Joseph Smith

Thee gun is vadeed), ant past the gm wey up the Beach anfifty yard! piece yet to the mabe rocks} stante Animal stiT] almost unshlee to notice real ityé! Hé-line: just. missed’ tte-flash of fird, tut im thecmans: handy’ Others: figures ane moving about, in moments will put lite between Animat and the Pcs! O° < 7 toad! He-seos anather atert off in the same dizi ee eetions ani them the-rest of the-group begins te move direatilyy terar® hie along the flat, moon buble Ted? sand’. Slowly Antal turns ani‘ begins te jog in a-fonie style toward the-black roskes' No faces or forme are seer, but he-feele: am overwhelming presit ence coming from the: stubby but bold rocks giving the single-forse tint hadi just stepped ent turned hing! The: only thougit in lis: head tis the-want te iknow? Hée-moves along! His: etep pioke: up ar tightness: ent hie onkler shoot through iis:bedy ax omet place |. ° Permeery ment? GQancing over lie: shoulier he-sees: there! i: Cees tecoming a: jog ttinfiSte alsa evers! All ave inte one

Original Scan

Page 254

AI Interpretation

GPT

A beach pursuit snaps into focus as gun flashes, moving figures, black rocks, and Animal's tightening body take over the page.

The scene is all pressure and direction. Even where faces remain unseen, the physical world becomes brutally specific through rocks, sand, ankles, jogging, and the knowledge that danger is now organized around him.

Claude

A beach pursuit snaps into focus as gun flashes, moving figures, black rocks, and Animal's tightening body. The page is pure action after a long stretch of talk.