Page 258

By Jack Joseph Smith

Just unconcious! He had always thought of the ego. Then he could stay in one room and split apart? No, for sincerity he could never think like this! To run is his joy! Not away; but within! Even cyrcular would be a good way of putting it! But not around; through like a dart; you can judge darts as always being within a place; yet they are motion and move through events! He yawns wanting to speak? There is nothing but mood; "give me faces!" "A man can feel good! Charley Chaplin and I would give the world a good ending! Brisk and tight after a good laugh; and I'did not say that; my mind work- ing trivies; Charley Chaplin gives me bad memories; because I had to go without the dogs!!!" To be in this position is mercyless, indeed; a falsehood

Original Scan

AI Interpretation

GPT

This page combines self-division, performance, and comic memory, turning Chaplin into a figure for both emotional rescue and embarrassment.

The page keeps circling the problem of inwardness. The speaker imagines the self splitting apart while still staying 'within,' then drifts into theatrical speech about faces, endings, and Chaplin. That shift makes comedy feel double-edged: it offers form and release, but it also carries the sting of deprivation and bad memory.

Claude

Animal argues with his own inwardness: to 'stay in one room and split apart? No, for sincerity he could never think like this! To run is his joy! Not away; but within!' - movement imagined as a dart that goes 'through like a dart... within a place; yet they are motion.' Starved of faces ('give me faces!'), he reaches for Chaplin as both rescue and wound - 'Charley Chaplin and I would give the world a good ending' yet 'gives me bad memories; because I had to go without the dogs!!!' - and lands on the bare verdict that 'To be in this position is mercyless, indeed; a falsehood.' Source spellings 'unconcious,' 'cyrcular,' and 'mercyless' are preserved.