Page 28

By Jack Joseph Smith

5 QWENE wPE Her thoughts-ene not! racy, They gee moving quickly forrnery i butabheg=ave direct like geod’ dreams, They” vibrate; ,yot thay ene focused willfully, 4 cute caon ES ever ler, Site woghen to exprose what retading -s) —_— TA f—- |Z ae: acdrega image to her as am actuality. orem” to Ll Nv build’ te her sensation ef bin aie she scachow cod tod ote tony ee understambs that PY aaa not ae her if Fs. é all things remain equate She laugh, freeing here’ self from shaking any more- with the-stery-in-her Anoess Turning back to her piecsmeal, the beginning ; hegkws to begim with the begining, “linking dime eatly ef experienses under the moom and experiences: nie de ferpr tel under the ig «ase. ml ae nothing: te evershadow.. Ss ; her beliefs Every: ether word ef 3 thoughts oe J. ferming a reakttys3 them she hold g back. with excite wy went at whele sequences of parsgraphy Before she~be NN _v0 Bog ateap wt ences, one hundred. reaiitie.iis N aX her: thoughts: one words: \ Os xg tht 3 a Ne poi Gis side waded out of the -nountoine: of tie: talon . at Ri bk. TE LL a ad of fo He Med’ Begum Cer) Pi io [ Deh BES Cow PAPE OA 4) : igland im the early morn fa ‘thaough the-day het A h-S climbed’ and degended a-series of Hills ani’ canyens umtil he-reached the ecsans én he-welig: Along read ty the -tong Ati ronan dusk, with the sun MM w setting over the Pacifins’ Hé walkg tonque im pe E> Pw K the gg deme) BvOdi Ewer Ms T_> 0 with arld of suprise em his: face, yet aRurrev e& Ww pr N a across: tiie brows Wide ears,, big teeth for axatreigzht mouthed’ mam, .ant vrei nex to elt as aa —

Original Scan

Page 28

AI Interpretation

GPT

This page stages composition itself as a rising force, with thought turning from private excitement into the first workable shape of narrative.

The speaker is no longer only feeling but arranging, selecting, and beginning. Even through the damaged text, you can feel the movement from emotional vibration toward form, as if the story of Animal has to be assembled out of pressure, memory, and desire in real time.


Claude

Jaqueline's thoughts vibrate, focused willfully, and she laughs free of shaking with the story inside her. The page catches her at the instant composition becomes possible — a woman watching her own piecemeal beginnings cohere into a hundred realities made of words — while the typewritten image of Animal walking down the hills begins beside her.