Page 31

By Jack Joseph Smith

were within motion, without a thought chance of calculations. Giving way to the swallow of pure moon, to the last pinked line of redness from the dis- appeared sun. The Sleeping Beauty saving Animal traced message saw him walking in the distance. She saw a steady walk, but now and again noticed what appeared to be a leaping state in his stride. Setting countenance to a swan pose, she took a thrill out of her body and paralyzed its wave lengths down through the links to a connected stillness. She planned on passing him by, with her fingers just slightly upraised. So she sat in the last of the carts gazing out, like the sil- houette of a drawing, into the just felled night. The girls glanced at him in their going by. No swoon, just movement as shapes in a motorcycled breeze. He blinked, and then laid his head back with a smile. Quickly he looked up at the stars, becoming numb with possibilities. A state of mind and nerve ending, sort of fit for prayer. Kissing sweet, and closer than the universe. He adjusted the arrangement of his steps, taken by the image of a military point of view. Sweeping his arm and fettering his fingers, he addresses

Original Scan

Page 31

AI Interpretation

GPT

This page turns the moonlit cart procession into a charged crossing, with the watching woman and Animal briefly held in the same field of desire, ritual, and theatrical motion.

The retrospective tableau gathers the woman into stillness before she passes Animal with the other girls. His response shifts the scene from flirtation into heightened inner ceremony, moving through stars, prayer, sweetness, and a military posture before speech.

Claude

The Sleeping Beauty figure among the traveling women watches Animal's uneven stride and composes herself into a swan pose, suppressing her reaction into stillness as the cart passes him. Animal, struck by the stars and a state suited to prayer, straightens his posture into military bearing and turns to address the girl riding last in the procession.