Page 34

By Jack Joseph Smith

il \ of "That wind ie coming im se pretty," Animal con W titined the excited statement, And’ all these young ladies on metercyeless with earts at that A very inereadable- situations" gs . Wher Animal Wf am actor to himself im ar outland= ? ish way, lie had right upper lip up se high, he " qlmest squeeks, ZS by the sound of him, the human: te ws a net knew if he ie Tabbit er a gangsters Presently thinking almost out loud, not a rabbit raised on wine, net a gangster raised on herbs, he let# Himself ride, Laid’ back in the crip of his necks his mind in the air, like Pinger motions lit es te covule red by little lanterns balanced $n, lie palmes : was tooog nt wes THe-night’ fs quivering to exactness, A mirrer #% im the universe, showing them realietically spin ing through space, The seurce of them together, ay, the ending of them together, already projects a single creative / / her si J f 5 < fe wes mone BI FS wine qual he ed prep af Ah 4A Ag bhekeda Took# back upom Animal, oli e& Ati WErE ‘ Lilin, .SHo sent thatthey- ene in-e-situattor of Kine -shipe . Ae winds vibe toward bg canyons of 7, , the winds ima moment, slip into shapes equal” te what CORE 5 they sf about to enter, and’ ima last wide breath,

Original Scan

Page 34

AI Interpretation

GPT

This page turns Animal's exhilaration into performance, making the night ride feel like a comic spectacle that is also charged with real wonder.

The language keeps tipping between clowning and revelation. Animal talks and poses theatrically, yet the page keeps insisting that the movement through the night has genuine force, as if flirtation, motion, and the cosmos are briefly sharing the same rhythm.

Claude

Animal performs for himself as actor — upper lip up so high he almost squeaks, unable to tell whether he is rabbit or gangster — while the night around the motorcade becomes a mirror in the universe showing them realistically spinning through space. The page braids comic self-caricature with real cosmic vertigo.