Page 47

By Jack Joseph Smith

24 mountains for a-long time, You are ekinay like a- hermit, or a-fishermen," "Better otiek te fishing,” keeping with his mouth being shaped to clewning. . "No, I'am serious, Yew de, really you doo” “Sax Fifth Avene ® : : "Sax Fifty Avenue?® wee fit fey tho eaension of the universes" ‘ POE SHtad trends vo insy Pf "You have -been mentioning thats” . “Itgust got to Keep those letters coming im” *Your just belie a-goot® i ®A cook?” "You know I didi! t’ say: thats” : : *It'¢-acomall world, and'I never gossip.” Intent, she-saidy “ITthink talk Tike "goek" is ' weelness," | He was quivering in hiv throat, , and the close force of her demanded his mint’ slowly outside of i ; tike back ta e:senvestle calns . “You leek something like a shark, when you ars 4 real,® tien me cow twee! "Thank yeu)" he replied, feeling an astranged ; ( beauty clinging to his mind like a new membraiies » » ALL the while-she felt careful with hing gave graee-to the lift of her hand, as if it wore the SF WERE \

Original Scan

Page 47

AI Interpretation

GPT

The page keeps the flirtation sharp and unstable, letting Jaugeline's teasing push Animal out of his own performed ease and back toward exposed feeling.

Their talk is playful on the surface, but the page works because it keeps catching moments where style gives way to vulnerability. Animal's clowning remains intact, yet her remarks make him feel the nearness of actual desire and self-consciousness.

Claude

Lithetes calls him skinny like a hermit or fisherman and tells him talking 'goek' is weakness, and Animal feels an estranged beauty cling to his mind like a new membrane. The page is where her teasing starts to draw real feeling out of his clowning.