Page 71

By Jack Joseph Smith

* ge'b 46 and diamond’ structure emplored’ lib be responsible te the letter lead. A-dry mouti way past the pessibility fer druel, he belTored out’ a-soun? of primordia? eigniture, “Ene ink is east," C8 WAS Aniival’ kn@jt now that the island of Kauai’ $s im geod fit, im terms: of how he cthias for travel es, poled es Af The olList the-altatreas flies, So he eal ee distance, the level of his. wedy with his minds and from tie red lined’ ages: of Maul: wished more-fer mist te be softe ened cloud’ like within, A geal reversed streeked an anxisueness: throught his sense of spirit, yet still hecheld back to a poise im meed’ te accept nowhere, BUt.his: stamina-was sturdy, and without hia brown . paper bag he assumed the. perfected alonenesa; Tie 5 < tension of seeing with Litheia ii his menery fed As iA bs lad Lo to preter or place to letting go, pattie ei eece: ph eer ews snp ly berw KwdiT el e . : waronem (Te ‘fant lon ¢-hurinens trip), fpeae .. ~ WEA : , SAPREASY SKE p ZUR SAP Sy im-hie: lunges ys Loe a NEES 7 pt rig, get Ae heel Als f ~ Anime¥ knew: that’ there-was obedience in. reality; . £ Ofte an SH © fer life is praise, ,like the first tine children Abs eet gn obra g Ave vy see the meaning of luckyness, Yet instead of take ing this young women ag a wifes for he could net drag her te the mountains like an animal, he had : AL left the-reality of a-drean for t#rrealization +

Original Scan

Page 71

AI Interpretation

GPT

Kauai, Maui, children, luckiness, praise, and the renunciation of a dream-wife collapse into a hard lesson in solitude.

The page moves from travel and memory toward acceptance that praise belongs to life, not possession. The refusal to drag the young woman into the mountains marks a rare ethical restraint inside the book's visionary hunger.


Claude

Kauai, Maui, children, luck, praise, and the renunciation of a dream-wife collapse into a hard single breath that will not be fully unpacked. The page is one of the manuscript's terse hinges between the vision-plot and the return-plot.